Stylistic differences remain one of the most challenging perceptual walls for singers.  We hear an operatic soprano next to a belter and think they must just be built differently, or that they are simply talented and magically able to make those sounds. In reality, they are making different acoustic and laryngeal choices that allow them […]

The term ‘vocology’ is being used increasingly in the voice and singing world. The word originates from voice scientist, Dr ingo Titze, who even has a book titled ‘Vocology. The Science and Practice of Voice Habilitation’. As singing teachers we deal with vocalisation on a daily basis so it makes sense that we understand the implications […]